This series of lith print photograms of weeds and images of classical sculptures shot on film, brings together two interpretations of ‘common ground’. The first is an exploration of land and spaces that appear to belong to no one (or everyone). Often neglected, this common ground is reclaimed and rewilded by nature in the form of weeds – a plant of no value, not wanted where they grow.
The second interpretation explores the notion of high art as ‘common ground’ – a supposedly shared resource, theoretically familiar and accessible to all but principally the preserve of those possessing the most affluence and cultural power.
To explore these ideas photographically, I’ve used the tonal qualities of lith printing and photogram processes to turn perceptions of value inside out. The photogram weeds have been positioned and repositioned during the exposure process to create decorative images, and also printed with the sculpture negatives. My aim is to create a sense of rewilding or nature reclaiming the sculptures and their status.
